At Dupieux, the actress signs a schoolboy appearance in Fumer fait tousser. For Les Cinq Diables, at the Directors’ Fortnight, she switches to family drama with fantastic accents. With the same happiness.

Like last year, Adèle Exarchopoulos landed in Cannes with two films in her luggage. In 2021, she was part of the cast of testosterone Bac Nord by Cédric Jimenez. An action film about the baqueux of Marseille, calibrated to work very well in theaters.

Rien à Foutre, a very low-budget production with a hyper-realistic aesthetic, partly shot on the iPhone by Emmanuel Marre and Julie Lecoustre, was far from aiming for these high spheres. But in the tight-fitting costume of an air hostess nosing around in her loneliness, bludgeoned by the dehumanized working conditions of a low-cost airline, she had landed one of her finest roles.

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